Empire as a Way of Life or Miriams Song

Empire as a Way of Life

Author: William Appleman Williams

"An unblinkered look at our imperial past . . . a perceptive work by one of our most perceptive historians."-Studs Terkel

Awork of remarkable prescience, Empire As A Way of Life is influentialhistorian William Appleman Williams's groundbreaking work highlightingimperialism-"empire as a way of life"-as the dominant theme in Americanhistory. Analyzing U.S. history from its revolutionary origins to the dawn ofthe Reagan era, Williams showshow America has always been addicted to empire in its foreign and domesticideology. Detailing the imperial actions and beliefs of revered figures such asBenjamin Franklin, Thomas Jefferson, Abraham Lincoln and Franklin DelanoRoosevelt, this book is the most in-depth historical study of the Americanobsession with empire, and is essential to understanding the origins of ourcurrent foreign and domestic undertakings.

Backin print for the first time in twenty-five years, this new edition features anintroduction by Andrew Bacevich, author of American Empire: The Realities andConsequences of U.S. Diplomacy.

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Miriam's Song

Author: Miriam Mathaban

Mark Mathabane first came to prominence with the publication of Kaffir Boy, which became a New York Times bestseller. His story of growing up in South Africa was one of the most riveting accounts of life under apartheid. Mathabane's newest book, Miriam's Song, is the story of Mark's sister, who was left behind in South Africa. It is the gripping tale of a woman -- representative of an entire generation -- who came of age amid the violence and rebellion of the 1980s and finally saw the destruction of apartheid and the birth of a new, democratic South Africa.

Mathabane writes in Miriam's voice based on stories she told him, but he has re-created her unforgettable experience as only someone who also lived through it could. The immediacy of the hardships that brother and sister endured -- from daily school beatings to overwhelming poverty -- is balanced by the beauty of their childhood observations and the true affection that they have for each other.

Glamour

This memoir of growing up in South Africa during apartheid is alternately evocative and wrenching, but always inspiring....[It] captures both the brutality and beauty of their childhood.

Library Journal

Mark Mathabane, the author of Kaffir Boy, helps recount the life of his sister, who remained behind in South Africa after he left and witnessed its struggle to throw off apartheid. Copyright 2000 Cahners Business Information.

The New York Times Book Review - Mary Ellen Sullivan

[Mathabane's] searingly honest account of this period when the townships were under siege by both their residents and the government brings a critical chapter of South African history to life. Now studying in the United States, Mathabane told her stories to her brother, who perfectly captures her guileless wisdom.

Kirkus Reviews

From the South African-born Mathabane (Kaffir Boy, 1986; African Women, 1994, etc.) comes this unsparingly graphic account of his sister's growing up in the last days of apartheid—when violence turned black townships into killing fields and schooling ceased as young Comrades insisted on liberation before education. The story told by Miriam, now studying in the US, is a searing indictment of the violence to women engendered both by apartheid and by traditional African attitudes. Both quashed human potential and aspirations, and good daughters and students like Miriam were as penalized as their more recalcitrant sisters. Born in 1969 and raised in Alexandria, a sprawling black township to the north of Johannesburg, Miriam offers vivid details of township life: the food eaten (a whole chicken was an undreamed-of luxury), the small houses (spotless despite the number of people living in them), and the ubiquitous scrawny dogs picking over the uncollected trash. She describes growing up as the middle daughter in a family made dysfunctional by circumstance. Her illiterate father, unable to find better-paying jobs, is often unemployed, drinks, gambles away their food money, and beats the children; her mother, a devout Christian, lacks the proper documentation and also has employment problems; and her elder brother steals Miriam's savings. The black schools are poorly equipped, the teachers are sadistic, and Miriam (who wants to become a nurse) soon finds her ambition thwarted by the times and by custom. A teenager in the 1980s, when anti-government violence made life in townships dangerous, she has to stay home when the schools are forced to close. Then, in a society where blackmentraditionally are free to do as they please (to take 13-year-old girls for wives, for example, as one of her uncle does), she is raped by her boyfriend and finds herself pregnant. But brother Mark, who has used his tennis talents as a passport to the US and success, will change Miriam's life. A moving story of a survivor, but Miriam herself often seems more a reporter recalling an eventful past than a reflective memoirist.